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3 Day Workshop with Richard Salley

 

Two Sessions

1st  Session Monday, February 27, 2012 - Wednesday, February 29, 2012

2nd Session Thursday March 1, 2012 - Saturday, March 3, 2012 (sold out)

Hours: 9:30 am - 4:30 pm

Cost:   $375

Call Spring Beads @ 281-288-9116 to reserve your spot!

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1st Day

Lasting Impressions

 

 

Get the classic look of silver without paying the current price. How? By using readily available and inexpensive, silver-bearing lead-free solder. Heated to a molten stage, the solder can be easily stamped and takes on the look of cast silver.  In this class you will learn how to etch a master stamp of heavy gauge non-ferrous sheet metal, and then use the stamp to create "cast silver" components. You will then learn to set cabochons into bezel cups which will be affixed to the "silver" impression. Riveted onto a metal backdrop, these will turn into gorgeous earrings and/or pendants …or both for the ambitious, industrious student.

(Soldering experience will be helpful, but not essential as the basics will be discussed and demonstrated.)

 

Materials included with the class:

copper sheet for stamps

brass escutcheon pins

etching solution

butane torches, flux and fuel

16" copper chain

5mm cabochons x3

5mm sterling silver bezel cups x3

images and transfer materials

24 copper sheet  2"x6"

24 brass sheet  2"x6"

Silver bearing solder

 

 Optional supplies you may want to bring:

Ready-to-use etched copper or brass for the backing sheet of the pendant/earrings

Beads or found objects to add to the finished pieces

Extra copper or brass sheet if you wish to make more impressions

 

Tool List: Students should bring the following tools to class:

**Eye Protection  & Ear Protection

Bench Pin

Bench block or anvil and something to put under to reduce the noise

Small hammer for riveting

Work gloves

Metal shears

Round nose, flat nose pliers

Wire cutters

 

Optional Tools:

Texturing or planishing hammers

1.25mm and 1.80mm hole punch pliers

Butane Torch and Soldering pad

Texturing hammers

Jeweler's saw and blades

 

Email: art@rsalley.com

Website: http://rsalley.com

 

Days 2 & 3

Behind Closed Doors – the Locket-Cuff

 

 

There is something inherently intriguing about lockets that solicit close examination. Perhaps it is the mechanical aspect of the hinge or catch that invites us to manipulate the components. Or it may be the mystery of what is hidden inside. The wearer of a locket always has the option of keeping out observers or allowing them to share in the secret behind the closed doors.

 

While lockets are usually made as pendants, in this 2-day workshop we will construct a locket that will be worn as a cuff. You'll learn a special technique for creating hinges that will eliminate any fears you may have about making them. Some of the other topics that we will cover include image transfer methods, metal etching, riveting, using micro bolts, bezel making, stone setting and design considerations. We will also take a short course in tool making where you will learn to make your own custom burnishing tool and riveting/texturing hammers.

 

Materials included with the class:

Turquoise cabochon

Fine silver bezel wire

Silver solder

Sheet copper

copper tubing

copper wire

torches and fuel

brass rivets

micro bolts

image transfer materials

etching solution

patina

all supplies for hammer making

 

Student Supplies

Students should bring an image to fit inside the locket approx 1 inch x Ύ inch.

 

Tool List:

Pliers – round nose, flat nose, chain nose

Wire cutters

Metal shears

Bench block or anvil

Bench pin

Jewelers Saw and 2/0 or 4/0 blades

Small hammer for riveting

Files – half round #2 or #4

Needle files

Sandpaper or sanding pads (fine)

 

Optional Tools

Texturing or planishing hammers

1.25mm and 1.80mm hole punch pliers